Here's an excerpt from my next book, Who Knows? Jonah, Katrina and Other Tales of Hope. In this passage I think about Jonah's raging death wish in the wake of his prophetic disappointment.
Pausing to Protest
Pausing to Protest
As in all good melodramas, our
little comedy delivers an ultimatum. “And
now, O LORD,” the prophet pronounces, “I
beg you to take my life from me…” In this moment, the comedy jumps the
tracks. We are on the verge of tragedy. “For
it is better for me to be dead,” Jonah concludes, “than alive.” Moments before, the audience had been chuckling at the
overblown monologue of the prophet. Now the laughter fades to shocked silence.
Whispers pass through the crowd. “Did he just say what I thought he said?
Better to be dead than alive? Did he really just pray that to the LORD? What is
happening?”
The written text of the Book of
Jonah honors this silence. Limburg describes the setumah, the required pause in the reading of the text. The break
in the reading is indicated by a Hebrew letter equivalent to an “s” between
verses three and four. This pause has been in the manuscripts of the Book of
Jonah since before the time of Jesus. Limburg includes that pause in his
division of the textual segments. I include it as well in the scene division of
this script.
This is the first of two such
demands from the prophet. We will examine the scriptural conversation assumed
in this demand when it comes around again in a few verses. But first, let’s examine the demand itself.
Let’s take a reflective pause at this moment of high drama and examine what the
statement does to Jonah and to us.
Some translations take verse one
and suggest that the rescue of Nineveh “grieved” Jonah. That rendering of ra’ah falls into the range of possible
translations for this word. So verse one could be read something like, “And it
grieved Jonah with a deep grief…” I find that to be an attractive translation.
Jonah’s burning rage cannot come from a mere intellectual, theological
disappointment. Jonah has suffered a loss—a death of something dear. Only that
sort of experience can serve as the basis for a rage that rumbles up from the
deep recesses of one’s heart.
If Jonah’s burning rage is rooted
in grief, what precisely has the prophet lost?
Grief is many things. But at its heart, grief is a protest against losing
someone or something that forms a part of one’s present identity and future
hopes. We can hear these protests from the bereaved in the midst of their cries
and tears. “This just not right!” they say. “She was too young!” they declare.
“I can’t figure out the point of this,” they murmur. And in the depths of loss
comes the real question: “How can I go on?”
I believe this is the question
behind Jonah’s blistering petition. “O LORD, how can I go on?” How can I go on
in a world where Nineveh wins and God’s people lose? How can I go on in a world
where wildly wicked people hear seven words and get a second chance? How can I
go on in a world where all the hopes and dreams of my people are but dust and
ashes while the rest of Creation rolls blithely along? How can I go on living
when my love, my life, hope and my dreams are dead? In such a world it is better
for me to die than to live.
Anyone who has suffered a
traumatic loss knows this conversation intimately. The bereaved rarely share
these thoughts with others so openly these days. To suggest that I might have
thoughts of taking my own life is to secure a fast ticket into a psychological
unit for a short-term evaluation. So the bereaved keep their counsel and
protest largely in silence. But the silence does not mean that the question has
not been raised.
We can and must see Jonah as a
comic caricature. At this moment of reflection, however—during this setumah—we must also accord the prophet
our deadly serious attention. What is the nature of Jonah’s grievous protest?
His identity as a prophet and a
person requires radical revision. Jonah had been the one to deliver the bad
news, to be the agent of judgment. He was a person of substance, one to be
reckoned with. Now he is a ridiculous figure whose message has spread more by
rumor than by proclamation. Who will Jonah be in the future? What will he do
with himself? Jonah had one conception of his identity, but that conception is
now obsolete. A replacement for that dead notion has not yet appeared. The
empty space produces excruciating pain.
Jonah’s vision of the future is a
casualty of God’s grace. He had hoped that the hated enemies would be destroyed
and that he could live in a world no longer burdened by their presence. He had
a sense of the order and process of history. He had a clear conviction about
the nature and execution of Divine Justice. He had a well-developed sense of
where things were headed and how he was to be part of that plan. Now that
worldview has collapsed. The system is opaque to him. What’s the plan? What’s
the purpose? Where are we headed?
Grief is a radical protest
against the loss of the other, loss of self, loss of purpose and loss of hope.
Translate this now into the life of the post-exilic community. They have paid
their debt. They have done their time. They have restored purity and order to
the Jewish community. They have walled themselves off from the possibility of
ethnic and religious contamination. And still, their losses have not been
reversed. How can they go on? What if they cannot—will not?
If the bereaved will not, at some
point, embrace an alternative future, then the next step is often violence. It
may be violence directed against another. We will examine that in the next
section of this chapter. More often, the violence is turned inward, by the
bereaved toward the bereaved. I cannot storm the gates of death and liberate my
loved one, even though human mythology is filled with stories of such efforts.
I cannot even think about my rage toward the one who has died and left me. That
is more than I can bear to consider. I have no one left to punish after I have
blamed doctors or law enforcement or the government or pastors or family members.
The only one left to punish, for
many of the bereaved, is me. So, the grieving ones experience some measure
of dysthymia. I don’t use the word “depression,” because that is best reserved
for medical conditions that are not really chosen and can to some degree be
managed by therapy and medication. I am talking about the darkness that we may
embrace, at least for a while, as we work through our protest against the
wrongness of our loss. That is the time when the bereaved often consider
self-violence as the only remaining avenue to fully express the pain of the
loss.
Jonah may be whining to the LORD
for dramatic effect. Or Jonah may represent the deep existential protest of the
post-exilic community. Some may be wondering if they have any reason to continue
to live.
So we pause with them—neither to
commiserate nor to judge—but rather to listen and reflect. Perhaps this is our
moment—in the language of our Jewish sisters and brothers—to sit shiva with Jonah before getting on with
our lives.
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